Posts Tagged ‘online advertising’

The Real Problem with Getting More Spend Online

October 20th, 2011

Mark McEachran

Two weeks ago I participated in a couple of events during AdWeek in New York.  The first was Rubicon’s own #letsfixit event where agency advertising representatives joined a panel with publishers and the rest of the demand train to discuss the difficulties of running ads online.  The attention shifted from learning about the process to learning about where the process fails.

Bernhard Glock of Medialink, who was not on the panel, chimed in with a profound thought.  Buying on television is buying something that’s familiar, with seemingly known or at least comfortable impact and expectations on results.  By contrast, buying online display is a complete mystery.  His solution, just buy on television because that’s what he understands.

In addition to all the great insight each panelist shared, this sticks out as an important point of the event.  If there’s something to be learned by this it’s that the Kawaja diagrams are illustrating the point – online is confusing to the buyers, and that’s bad.

The second event I attended during Adverting Week was the OpenRTB TownHall discussion.  I was lucky enough to participate as a panelist so I had ample opportunity to grab the mic and dig in when I found things getting interesting.  Alex Horowitz and Stephen Tompkins were in attendance as the lone representatives of agency buyers – Vivaki.  The old, beaten, dead horse rose up from the grave with the phrase that ‘buying online is less efficient than print and television’.  I decided to beat that horse a little bit more and asked the agency guys if that’s really keeping dollars from moving online.  The answer: No.

Efficiencies, or lack thereof, are not the things keeping big agency dollars offline; it’s lack of inventory.  More specifically, it’s lack of premium inventory keeping the money at bay.  Or is it?

At the end of Ad Week Rubicon hosted a #letsfixit cocktail party to show appreciation for everyone’s thoughtful insights and general efforts in the online space.  As I mingled I kept my topic top of mind with a few insightful folks.  Todd Sawicki, from the Cheezburger Network, engaged me in a friendly argument over why the brand dollars aren’t moving online from TV.  He had some good insights in the form of a story: When a brand advertiser, a fast food restaurant for example,  puts up an ad on TV at 7pm he can track that to increased sales in that region at 11pm.  He can predict how much he’ll profit to within 1%.  Some of these guys have little dashboard widgets or something that shows them the money.  And there’s no equivalent online.  There’s no prediction that’s accurate enough, no cause and effect that can be tracked as simply as “I spend X, I get Y, repeat”.

Repeat – that might be the key.  Innovation in online advertising does not give you repeatable results for very long.  There’s always something jumping up that changes the game and the traffic doesn’t hit the same sites with certainty.  What happened last year may not happen exactly the same this year.  This leaves brand advertisers and their agency representatives in a difficult position when putting together an online ad budget and showing the projected results.

So what’s the take-away here?  We’ve got 100s of little companies trying to solve efficiency problems for buying and selling online display, video and mobile.  And those are fine companies, but a lot of them can’t get their hands around the big problems.  Coming out of Ad Week it seems that we like to discuss those problems and argue about them in meaningful ways.  And it feels like the conversation is getting elevated, at long last, to the point where we’re beginning to understand the entire ecosystem’s roadblocks to expansion.  Randall Rothenberg says we’ve only got 18 months to get this thing right, so let’s keep that conversation going.  #letsfixit

From Good to Great: project #letsfixit

October 3rd, 2011

Kara Weber

Cadreon, Forbes, Forrester Research, Medialink, Seamless, Triad Retail And Vivaki “Join The Project”

Today marks the kickoff of the most exciting Advertising Week New York has ever hosted, and almost all the terrific news comes from the digital advertising sector. We’re thrilled to be contributing to the good news: last week the Rubicon Project, in conjunction with Econsultancy, released research highlighting that advertisers in both the US (68%) and Europe (57%) said they had increased their investment in online display advertising in the last year. It’s not just us – spend is up, advertisers are happy, parties are rollicking, and interest and awareness of the value of digital content and the advertising that supports it has never been higher.

This is great stuff, and we’re lucky to be at the heart of it. But what if this is all just the tip of the iceberg?

On Wednesday, October 5, the heart of Advertising Week (aka #AW8), the Rubicon Project is hosting #letsfixit: Simplifying the Buying and Selling of Digital Advertising. #letsfixit isn’t just another run-of the mill Ad Week panel. What’s different?

THE LINE-UP

An amazing line-up of thought leaders will engage the audience in a provocative and lively open discussion aimed at helping publishers, advertisers and consumers realize the true value of digital experiences.

Opening Remarks: Frank Addante – CEO and Founder, the Rubicon Project

Moderator: Xavier Kochhar – Managing Partner, Media Link

Discussion Leaders:

  • Teri Gallo – VP, Marketplace Development, Cadreon
  • Matt Barash – VP & Advertising Director, Forbes Media
  • Michael Greene – Analyst, Forrester Research
  • Sara Livingston – Manager Digital Marketing, Seamless
  • Brian Quinn – CRO, Triad Retail Media
  • J.R. Randall – Director, Partnerships, Vivaki

THE ATTENDEES

Leaders from companies across the online advertising spectrum, including top publishers (like NBC, Weather.com, WebMD, Trulia, CareerBuilder…), agencies (like Vivaki, Cadreon), DSPs (like Turn, MediaMath, Appnexus), ad networks (like Ad.com, Undertone, Criteo), data companies (like TargusInfo, Exelate, BlueKai), buyers (like Amazon, Seamless) and ecosystem influencers (there’s no one like Luma Partners, AdExchanger or Comscient), who will discuss what’s required to move the industry from good to great. Even the guy who said SSP’s are dead will be there.

THE EXPERIENCE

This isn’t an event for the shy or retiring. Our first #letsfixit event in June was called “the best content of Internet Week.” There were arguments, bawdy remarks, provocative declarations and ultimately actionable ideas. Everyone participates in the conversation at #letsfixit, as all leaders in the industry will need to participate in taking digital advertising into the next era.

Interested in an invite? The event is fully reserved, but a waitlist is forming. Request your invite. Can’t make it but want to pitch in with questions, ideas and immodest proposals? Join the conversation on Twitter. And watch this space for more on how we move from the good times of this exciting Ad Week toward a $200 billion industry that delivers relevance to consumers, performance to advertisers and (nearest and dearest to the Rubicon Project), yield to publishers.

Happy Belated 4th Birthday, Rubicon!

May 5th, 2011

Devan Fearman

Things have been moving so quickly around here lately, that we forgot to stop and celebrate an important
milestone – the Rubicon Project’s 4th birthday!

On May 1, 2007 the Rubicon Project launched with one lofty goal in mind – to automate the buying and selling across the $65 billion global online advertising industry. Beginning with a 2,000 square foot office, one bathroom and about 10 employees…I think it’s safe to say that our team has come a long way!

Here we are celebrating our fourth birthday in a time when the industry continues to push the limits on innovation and display advertising is expected to reach $30 billion in 2012 (eMarketer). Along with our partners and customers, we’re on our way to accomplishing the mission we set out to conquer. We couldn’t be more excited about the opportunity that lies ahead for the advertising ecosystem.

Of course, we’d like to take a moment to thank our 450+ premium publisher customers for their continued support. The product developments we’ve made over the years would not have been possible without your insight, feedback and trust in our team. It’s because of you that the REVV platform has reached 80+ billion ad transactions per month and 500+ billion real-time bids per quarter.

And last but certainly not least, thank you to all 250 Rubicon team members, across 8 offices in 5 countries. It’s your hard work, devotion and significant contributions that make Rubicon the leading advertising technology company.

Happy Birthday to our team and thank you to our customers for believing in us! Here’s to many more….

The Language of AdCheq

May 3rd, 2011

Saata Bangura

REVV, Real-time bidding, REVV Marketplace … AdCheq? We’re all familiar with the aforementioned pieces of the Rubicon Project puzzle. AdCheq, on the other hand, isn’t a technology we’ve often discussed externally, but it plays a pivotal role in how REVV manages and facilitates publishers’ advertiser blocklists. Adcheq captures, identifies and, with the help of our team of experts, classifies new ad creatives that are served into the REVV platform against 104 industries and 10 ad quality categories (including Adult/Provocative, Shaky/Flashy, Belly Fat, etc.). In addition, AdCheq enables REVV to develop and maintain advertiser profiles within the platform – all necessary for protecting publishers’ direct sales channels, user experience and brands.

How does AdCheq fit in to the REVV platform for publishers? First, publishers define their business rules around selling their inventory through sales channels – controls including blocklists, geographic rights, transparency settings and pricing floors, for example. Once those rules are set, the REVV brand protection toolset scans, harvests and classifies all creatives that run through the platform – this is where AdCheq comes in.

How does AdCheq work? The process begins when ad creatives show up for the first time within an ad tag. Each new creative, or media file is individually labeled. AdCheq has enabled some 450,000 media files to be classified since September 2010. When necessary, ads are marked with ad quality categories, such as Shaky/Flashy or Belly Fat. When publishers want to block ads with certain content and/or from advertisers from running on their site(s), the accurate labeling and flagging of the ads in AdCheq is crucial. With over 2,000 new ads running through the REVV platform every day, AdCheq ensures unwanted ads – like belly fat ads don’t “squeeze” their way through.

Once an ad has been labeled, it goes through the verification process. In this step, each ad is reviewed twice and classified using AdCheq by real live humans working for the Rubicon Project from our HQ in Los Angeles, as well as from locations around the world. Then our Editorial/Ad Quality Team goes through these labeling options to choose the best one, using REVV’s ad quality standards as a guide. Accuracy and relevance are key here – it is mission critical to capture and identify all the information about each ad correctly to ensure that publishers do not see ads they’ve blocked, for any reason, on their sites.

There are approximately 10,000 advertisers with approved profiles in the AdCheq system, with hundreds getting added each week. These advertisers that are pulled from tags across the REVV platform have detailed profiles in AdCheq that include pertinent information, such as the website URL, company logo, all past-submitted media files (creatives) and industries in which the advertiser does business. Once all of this information is cataloged, the advertiser becomes an approved advertiser. From this point forward, all creatives are associated in the system with the advertiser they represent, along with all the other classification information about the creative itself.

Once all the information about the creative and the associated is designated with AdCheq, that data is stored within the REVV Helix database, which enables ongoing ad monitoring, filtering and blocking. It is because of the classification powered by AdCheq that publishers using REVV can limit or prevent the appearance of specific advertisers, industries, subsidiaries and holding companies – along with ad quality types, sizes, etc. – to avoid conflict with their direct sales teams’ efforts and ensure the publisher’s desired user experience.

Today, AdCheq is one of the many internal tools used at the Rubicon Project to manage brand safety issues for publishers. With continued innovation, there are plans in our current product roadmap to release AdCheq for direct use by publishers in the near future. Stay tuned for more updates on this product and many other safety and security product innovations in the coming months.